Then I put the novel on the back burner (someone in a
    critique group said I needed a vampire running alongside
    the car in the opening scene) and devoted my time to a
    narrative non-fiction account of a one-room school born
    in a chicken coop in my great grandfather's cherry
    orchard in 1927. Great Aunt Marion Parsons committed
    her life to making the school one of the highest-ranked
    in the country. My account of this unique story, The
    Brass Bell, reveals why nearly 90 years later those
    who are still here reminisced with me about Miss
    Parsons and the  red brick school that grew and grew.

    To review the history of this unique project, check out
    the blog.  I look back fondly on every step of the
    project.

    How to Purchase The Brass Bell:
       Send order to: Sahallie Publishing,
      4126 SW Pendleton St., Portland, OR 97221
               
    So much to write, edit, and read--so little time. For people
    who say, "I want to write." I say: write. We are all writers and
    if you do it on a regular basis, published or not, you know what
    I'm talking about. A not-so-famous author, like most of us,
    Mary Heaton Vorse, who wrote in the latter part of the 19th
    century about politics and literature, who wrote fiction and
    non-fiction during a time when women were supposed to be
    doing domestic chores, is quoted as saying:  "The art of writing
    is applying the seat of the pants to the seat of the chair."
    Well put. Writing is like playing a musical instrument, one must
    practice every day. Once we find our voice, we learn some of the
    rules and then we know enough about the art to break them
    now and again. The result is a personal style. We write to make
    sense out of the chaos, and when we get good enough at it others
    want to read what we wrote. We are all writers because we go
    through every day writing the manuscript of events and
    our understanding of them in our minds, like ribbons of text
    fluttering in the breeze of our existence.

My Writing Life
As an author—fiction and non-fiction—editor, writing and publishing coach, grant writer, historian, and artist,
I am a woman of many projects. I am forced to organize and prioritize my days. Writing comes first.

Ten years ago I retired from a full-time education career to focus on literary endeavors . The first thing I
did was write a memoir. Then I joined a critique group and someone said, "Why would anyone be interested in
your story?" I hadn't formed a thick skin yet (critical for any artist),  so I put Growing up Nancy  on the
back burner and wrote a novel based on the memoir. My back burner  might look like
a messy closet to some, but it all makes sense to me. I suggest it's OK to pursue multiple urges and projects,
but do keep them organized and let one inform the other and in the end you can pull the bunny out of the hat.
Maybe you'll have an audience, maybe not; I can help.





















           
     
     




 Find out more about my other publications here.

And here's a sample short story

* * * * *


MY THOUGHTS ON WRITING

To write what others might stay up all night to read is to be willing to practice and learn every day. In  my
quest to become a better writer, I attend author readings and lectures. I read religiously what agents and
editors have to say about exceptional writing and the complex pursuit of publication. Every month, I read my
copy of Poets & Writers cover to cover, submit short stories to literary journals, and pay my fair share of
writing contest submission fees. I am a member of Women in Portland Publishing and Willamette Writers.    

If you're serious about writing, read and write every day. If it's your passion, this will not be a problem.
Birds must fly, grass must grow, and writers must write. For me, writing a winsome sentence or an engaging
scene is like playing a sonata in the dark, one you've practiced since childhood. It's executed so effortlessly,
you evoke an emotion in everyone who hears you play.

I started writing fiction at the age of eight, and have kept it up all my life. A long time ago, I wrote a
serialized soap opera for the Eugene Magazine: “As the Rain Falls.” I borrowed so much juicy material from
my friends and their foibles, to save my skin I wrote under the nom de plume, La Plume. Since then I’ve used
Camille LaPlume as a handle in all kinds of situations. Now that I’ve exposed my cover, I’ll have to think of
something new should I reinvent myself as a spy.

camille@camillecole.com
503-914-9515
photo by: Rachel Hadiashar
Photo by Rachel Hadiashar
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